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Art and Illusion: A Study in the Psychology of Pictorial Representation.
E.H. Gombrich · back to the book
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24 books with the same feel
Include books by the same authorVan Gogh: The Life
Steven Naifeh, Gregory White Smith · 953 pages
After the End of Art: Contemporary Art and the Pale of History
Arthur C. Danto · 272 pages
Art in Theory 1900 - 2000: An Anthology of Changing Ideas
Charles Harrison, Paul Wood · 1,288 pages
The Painting of Modern Life: Paris in the Art of Manet and His Followers
T.J. Clark · 338 pages
Paris in the 1860s and 1870s was supposedly a centre of modern life. This book argues that the art of Manet and his contemporaries was an attempt to give form to that modernity.
Francis Bacon: The Logic of Sensation
Gilles Deleuze · 209 pages
Concerning the Spiritual in Art
Wassily Kandinsky · 92 pages
A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866-1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his o
History of Beauty
Umberto Eco, Girolamo De Michele · 438 pages
From the Publisher: What is beauty? What is art? What is taste and fashion? Is beauty something to be observed coolly and rationally or is it something dangerously involving? So begins Umberto Eco's intriguing journey into the aesthetics of beauty, in which he explores the ever-changing concept of the beautiful from the ancient Greeks to today. While closely examining the development of the visual
The Seven Lamps of Architecture
John Ruskin · 434 pages
The Power of Art
Simon Schama · 448 pages
Taking eight famous painters and their great masterpieces, this book takes you back to the intense moment in history when these works were conceived and born. In each case the artist is backed into a corner, and given a chance to confound his rivals, enemies and critics.
The Work of Art in the Age of Mechanical Reproduction
Walter Benjamin · 45 pages
"An attempt by literary critic Walter Benjamin to analyze the changed experience of art in modern society."--Page 4 of cover.
Rembrandt, 1606-1669: The Mystery of the Revealed Form
Michael Bockemuhl · 96 pages
The Waning of the Middle Ages: A Study of the Forms of Life, Thought and Art in France and the Netherlands in the Dawn of the Renaissance
Johan Huizinga · 344 pages
Color: A Natural History of the Palette
Victoria Finlay · 448 pages
Ways of Seeing
John Berger · 166 pages
How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever."Seeing comes before words. The child looks and recognizes before it can speak.""But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we e
Art and Visual Perception: A Psychology of the Creative Eye
Rudolf Arnheim · 485 pages
Since its first publication in 1954, this work has established itself as a unique classic. It applies the approaches and findings of modern psychology to the study of art: it describes the visual process that takes place when people create- or look at- works in the various arts, and explains how the eye organizes visual material according to definite psychological laws. Fresh in thought, clean in
Michelangelo and the Pope's Ceiling
Ross King · 378 pages
"In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. Four years earlier, at the age of twenty-nine, Michelangelo had unveiled his masterful statue of David in Florence; however, he had little experience as a painter, even less working in the delicate medium of fresco, and
The Agony and the Ecstasy
Irving Stone · 710 pages
Mr. Stone gives his signature style and thought to this story of Michelangelo. He points out often in this book that Michelangelo, before beginning a work, asks what it is he is trying to capture in the moment of his painting, sculpture, or poem. So it is with Mr. Stone. He wants to portray, as close as he can find, the moments of the life of this artist. What shaped him, what he loved, what (and
The Letters of Vincent van Gogh
Vincent van Gogh · 351 pages
Most unusually among major painters, Vincent van Gogh (1853-90) was also an accomplished writer. His letters provide both a unique self-portrait and a vivid picture of the contemporary cultural scene. Van Gogh emerges as a complex but captivating personality, struggling with utter integrity to fulfil his artistic destiny. This major new edition, which is based on an entirely new translation, rein
M.C. Escher: The Graphic Work
M.C. Escher · 96 pages
The Image of the City
Kevin Lynch · 194 pages
What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion--imageability--and shows its potential value as a guide for the building and rebuilding of cities. The
Interaction of Color
Josef Albers · 81 pages
Josef Albers' "Interaction of Color" is a masterwork in twentieth-century art education. Conceived as a handbook and teaching aid for artists, instructors, and students, this timeless book presents Albers' unique ideas of colour experimentation in a way that is valuable to specialists as well as to a larger audience. Originally published by Yale University Press in 1963 as a limited silkscreen edi
The Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History
Robert M. Edsel · 473 pages
At the same time Adolf Hitler was attempting to take over the western world, his armies were methodically seeking and hoarding the finest art treasures in Europe. The Fuehrer had begun cataloguing the art he planned to collect as well as the art he would destroy: "degenerate" works he despised.In a race against time, behind enemy lines, often unarmed, a special force of American and British museu
The Renaissance: Studies in Art and Poetry
Walter Pater · 238 pages
Walter Pater’s Studies in the History of the Renaissance was one of the most talked about books in nineteenth-century Britain, and it remains a work of unusual importance to anyone interested in art history or English literature. Pater’s luxurious and finely wrought style inspired generations of writers, and his unique blend of scholarship, philosophy, and personal bias made his view of the quinte