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The L-Shaped Room

Lynne Reid Banks · back to the book

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24 books with the same feel

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Tipping the Velvet

Sarah Waters · 480 pages

Nan King, an oyster girl, is captivated by the music hall phenomenon Kitty Butler, a male impersonator extraordinaire treading the boards in Canterbury. Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty's dresser and the two head for the bright lights of Leicester Square where they begin a glittering career as music-h

Starting OverLondonWorking-Class ProtagonistCharacter-Driven
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The Bean Trees

Barbara Kingsolver · 240 pages

Taylor, a poor Kentuckian making her way west with an abandoned baby girl, stops in Tucson where she finds friends and discovers resources in apparently empty places.

Working-Class ProtagonistStarting OverCharacter-DrivenLiterary Fiction
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The Silver Star

Jeannette Walls · 304 pages

Two motherless sisters--Bean and Liz--are shuttled to Virginia, where their Uncle Tinsley lives in the decaying mansion that's been in their family for generations. When school starts in the fall, Bean easily adjusts and makes friends, and Liz becomes increasingly withdrawn. Then something happens to Liz and Bean is left to challenge the injustice of the adult world.

Working-Class ProtagonistStarting OverCharacter-DrivenFirst Person Narrator
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Mad About the Boy

Helen Fielding · 400 pages

Londonite Bridget Jones faces the challenges of maintaining sex appeal as the years roll by, the nightmares of drunken texting, the skinny jean, the disastrous e-mail cc, total lack of Twitter followers, and TVs that need ninety buttons and three remotes to simply turn on, all while raising two children, attempting to date again, and writing a screenplay.

LondonStarting OverCharacter-DrivenSingle Mother
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The Hours

Michael Cunningham

LondonStarting OverCharacter-DrivenLiterary Fiction
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Clever Girl

Tessa Hadley · 292 pages

Follows Stella, a lower-middle-class British girl born in the 1950s, whose coming-of-age experiences mirror the broader cultural development of her times.

Working-Class ProtagonistCharacter-DrivenFirst Person NarratorLiterary Fiction
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Nothing to See Here

Kevin Wilson

Working-Class ProtagonistCharacter-DrivenFirst Person NarratorLiterary Fiction
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Americanah

Chimamanda Ngozi Adichie · 588 pages

Ifemelu and Obinze are young and in love when they depart military-ruled Nigeria for the West. Beautiful, self-assured Ifemelu heads for America, where despite her academic success, she is forced to grapple with what it means to be black for the first time. Quiet, thoughtful Obinze had hoped to join her, but with post-9/11 America closed to him, he instead plunges into a dangerous, undocumented li

Starting OverLondonCharacter-DrivenLiterary Fiction
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Eva Luna

Isabel Allende · 307 pages

"An intoxicating collection of short fiction by one of the most beloved writers of our time. Eva Luna is a young woman whose powers as a storyteller bring her friendship and love. Lying in bed with her European lover, refugee and journalist Rolf Carle;, Eva answers his request for a story "you have never told anyone before" with these twenty-three samples of her vibrant artistry. Interweaving the

Working-Class ProtagonistCharacter-DrivenFirst Person NarratorLiterary Fiction
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Me Before You

Jojo Moyes · 451 pages

Louisa Clark is an ordinary young woman living an exceedingly ordinary life—steady boyfriend, close family—who has never been farther afield than their tiny village. She takes a badly needed job working for ex-Master of the Universe Will Traynor, who is wheelchair-bound after an accident. Will has always lived a huge life—big deals, extreme sports, worldwide travel—and now he’s pretty sure he cann

Starting OverWorking-Class ProtagonistCharacter-DrivenFirst Person Narrator
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Half His Age

Jennette McCurdy · 262 pages

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And

Working-Class ProtagonistCharacter-DrivenFirst Person NarratorLiterary Fiction
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The Book of Ruth

Jane Hamilton · 328 pages

"I learned slowly, that if you don't look at the world with perfect vision, you're bound to get yourself cooked." Having come within an inch of her life, Ruth Dahl is determined to take a good look at it - to figure out whether, in fact, she's to blame for the mess." Pegged the loser in a small-town family that doesn't have much going for it in the first place. Ruth grows up in the shadow of her

Working-Class ProtagonistCharacter-DrivenFirst Person NarratorLiterary Fiction
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Great Expectations

Charles Dickens · 469 pages

Great Expectations is the thirteenth novel by Charles Dickens and his penultimate completed novel. It depicts the education of an orphan nicknamed Pip (the book is a bildungsroman; a coming-of-age story). It is Dickens' second novel, after David Copperfield, to be fully narrated in the first person. The novel was first published as a serial in Dickens's weekly periodical All the Year Round, from 1

LondonWorking-Class ProtagonistCharacter-DrivenLiterary Fiction
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Jewel

Bret Lott · 368 pages

Working-Class ProtagonistCharacter-DrivenLiterary FictionSingle Mother
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Long Bright River

Liz Moore · 473 pages

A female cop begins to fear for her addicted sister. A serial murder is targeting homeless female prostitutes. Can Mickey find her sister before the killer does ?

Working-Class ProtagonistCharacter-DrivenFirst Person NarratorLiterary Fiction
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Bastard Out of Carolina

Dorothy Allison · 309 pages

Bone, an illegitimate child in a family of social outcasts, sees her mother's happiness with her new husband and will not tell when the stepfather begins abusing her in the 1950s.

Working-Class ProtagonistCharacter-DrivenFirst Person NarratorLiterary Fiction
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Agnes Grey

Anne Bronte · 184 pages

In her Introduction to an edition of "Agnes Grey," Barbara A. Suess writes "Bronte provides a portrait of the governess that is as sympathetic as her fictional indictment of the shallow, selfish moneyed class is biting." Anne Bronte relies on her own personal involvement in her duties as a home teacher to bring Agnes Grey to life. Agnes, a rector's daughter, must take employment as a governess to

Working-Class ProtagonistCharacter-DrivenFirst Person NarratorLiterary Fiction
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After Leaving Mr Mackenzie

Jean Rhys · 191 pages

Working-Class ProtagonistLondonCharacter-DrivenLiterary Fiction
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Where We Belong

Emily Giffin · 384 pages

Her carefully constructed life thrown into turmoil by the appearance of an eighteen-year-old girl with ties to her past, New York television producer Marian Caldwell is swept up in a maelstrom of personal discovery that changes both of their perceptions about family.

Starting OverCharacter-DrivenFirst Person NarratorSingle Mother
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My Ántonia

Willa Cather · 246 pages

My Antonia, first published 1918, is one of Willa Cather's greatest works. It is the last novel in the Prairie trilogy, preceded by O Pioneers! and The Song of the Lark.My Antonia tells the stories of several immigrant families who move out to rural Nebraska to start new lives in America, with a particular focus on a Bohemian family, the Shimerdas, whose eldest daughter is named Antonia. The book'

Starting OverWorking-Class ProtagonistCharacter-DrivenLiterary Fiction
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The Bricks that Built the Houses

Kate Tempest · 416 pages

"Becky, Harry, and Leon are leaving London in a fourth-hand Ford with a suitcase full of stolen money, in a mess of tangled loyalties and impulses. But can they truly leave the city that's in their bones?....Rich in character and restless in perspective, driven by ethics and empathy, it asks-and seeks to answer-how best to live with and love one another." -- page [2] book jacket.

LondonWorking-Class ProtagonistCharacter-DrivenLiterary Fiction
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Funny Girl

Nick Hornby · 452 pages

"From the bestselling author of High Fidelity, About a Boy, and A Long Way Down comes a highly anticipated new novel. Set in 1960's London, Funny Girl is a lively account of the adventures of the intrepid young Sophie Straw as she navigates her transformation from provincial ingenue to television starlet amid a constellation of delightful characters. Insightful and humorous, Nick Hornby's latest d

LondonWorking-Class ProtagonistCharacter-DrivenLiterary Fiction
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Gather

Kenneth M. Cadow · 325 pages

Publisher Annotation: A resourceful teenager in rural Vermont struggles to hold on to the family home while his mom recovers from addiction in this striking debut novel.

Working-Class ProtagonistStarting OverCharacter-DrivenLiterary Fiction
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Where the Sky Begins

Rhys Bowen · 364 pages

Starting OverWorking-Class ProtagonistCharacter-DrivenLondon

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